Blurred Lines | Hannah Begbie | Extract
She feels the sales
assistant looking her over, appraising her against the wine that she has
delivered to the counter. It is a Burgundy, priced at sixty-five pounds, its
provenance declared in elegant loops on a simple label. She couldn’t pronounce
this château, and she suspects this man knows that perfectly well. Look
at this woman, with her dull, errant hair and the catalogue-bought black
trousers that reach for but never quite achieve a tailored fit: at how her
slouch and the crease to her brow clash against the pin-straight, darkly
varnished floorboards of this wine shop.
He wraps the bottle in
crisp crepe paper, one finger cocked like he is taking an elegant tea, as if to
tell her: this is how it is done. Granted, her wardrobe, her hairstyle,
her whole life cannot be salvaged by a moment of his time, but perhaps the act
of witnessing his precision and professionalism and his good taste might, in
some small way, chip away at her roughness.
She has pulled this bottle
from the shelf because a hand-written card describes it as ‘a classic example
of the type’. Now she wishes that she had been bolder. That she had chosen
something without a ready-made approval, to state firmly that she knows better
than this man, than any man, how her desires are best met by grapes, and terroir,
and time in the bottle. Imagine asking if they had the same wine but from
another year. A better year, or worse. Knowing what the sun or the humidity or
the rain had done to that corner of France in that year.
Why should she know? Who
is asking her to know these things?
‘Any tips for drinking
it?’ she asks, her demeanour easy and friendly, like she’s only really filling
a spare minute while he wraps the thing. Like she has no need of his opinion,
but chooses to seek it anyway. A generous gesture that allows for him to know
more about this bottle than simply how to wrap it.
‘Are you drinking it
straight away?’
She shrugs. She won’t be
drinking it at all, unless she’s asked to share it. And even then, she’d only
take a few sips.
‘Well don’t let it get too
warm,’ he says. ‘Won’t hurt to decant it, but it won’t struggle straight out of
the bottle either. Cash or card?’
Becky hands over her debit
card. It is the same colour as when she was at school. The
first-savings-account hue of somebody who agonizes over whether sixty-five
pounds, which she really cannot afford, is enough to spend on wine for a man
who might consider it midweek drinking, a bottle to open mindlessly before
rushing off to a weekend away, leaving it to idle and spoil on the kitchen
island. Is it enough, a bottle like this, for a man like Matthew?
Matthew pays her pretty
well. She can’t complain. She knows there are others who make less and are
worth far more.
Stop it, she tells
herself. You are good at your job. You are.
‘Enjoy it!’ says the man
behind the counter as he hands her the bag. Did he see the dismay in her eyes
as the card receipt chattered through? Surely he knows that this is a gift, one
meant to impress; a wine that she does not understand, intended for someone
whose world she only fleetingly visits.
And yet, his smile seems
sincere. Perhaps he is honestly grateful for her custom, even if the wine is
wasted on her. The money is real enough.
If you would like to read more, go and grab a copy on the 20th August! 😊
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